>35 Open Access Film and Moving Image Studies Books from Amsterdam University Press

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Image from Rhapsody of Steel, a 1959 animated industrial film by John Sutherland, which you can watch online. You can read about industrial films in Vinzenz Hediger and Patrick Vonderau’s remarkable collection Films that Work : Industrial Film and the Productivity of Media (Amsterdam University Press, 2009)

What a remarkable start to the week! In one fell swoop, Film Studies For Free has almost doubled its already lengthy listing of openly accessible film and moving image studies e-books.

Yesterday, FSFF heard that Vinzenz Hediger and Patrick Vonderau’s marvellous 2009 edited collection Films that Work : Industrial Film and the Productivity of Media had been made freely available online as part of Amsterdam University Press‘s wonderful commitment to Open Access publishing.

FSFF followed up on that news with its customary, industrial-strength, dogged meticulousness (that is to say, in its totally imitable fashion) to sort through the 640 plus e-books from AUP‘s collected OA offerings to single out the 35 film and moving image studies-related items you can see linked to below, which include many titles from its excellent “Film Culture in Transition” series.

They’ve also all been added to FSFF’s existing free e-book list, which is now approaching its first one hundred items.

And this blog has learned how to say hartelijk dank!

  1. Allen, Richard, Malcolm Turvey (eds), Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson (Amsterdam University Press, 2004)
  2. Bay-Cheng, Sarah, Chiel Kattenbelt, Andy Lavender, Robin Nelson (eds), Mapping Intermediality in Performance (Amsterdam University Press, 2010) 
  3. Bergfelder, Tim, Sue Harris, Sarah Street (eds), Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam University Press, 2007)
  4. Bijsterveld, K, J. Van Dijck (eds), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam University Press, 2009)
  5. Blom, Ivo, Jean Desmet and the Early Dutch Film Trade (Amsterdam University Press, 2004)
  6. Boomen, Marianne van den, Sybille Lammes, Ann-Sophie Lehmann, Joost Raessens, Mirko Tobias Schäfer (eds), Digital Material : Tracing New Media in Everyday Life and Technology (Amsterdam University Press, 2009)
  7. Clemens, Justin, Dominic Pettman, Avoiding the Subject: Media, Culture and the Object (Amsterdam University Press, 2004)
  8. Elsaesser, Thomas, European Cinema: Face to Face with Hollywood(Amsterdam University Press, 2005)
  9. Elsaesser, Thomas (ed), Harun Farocki: Working on the Sight-Lines (Amsterdam University Press, 2004)
  10. Elsaesser, Thomas, Noel King, Alexander Horwath (eds), The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press, 2004)
  11. Elsaesser, Thomas (ed), A Second Life : German Cinema’s First Decades (Amsterdam University Press, 1996)
  12. Elsaesser, Thomas, Fassbinder’s Germany: History, Identity, Subject (Amsterdam University Press, 1996)
  13. Elsaesser, Thomas,  Jan Simons, Lucette Bronk (eds), Writing for the Medium: Television in transition (Amsterdam University Press, 2004)
  14. Grønstad, Asbjørn, Transfigurations: Violence, Death and Masculinity in American Cinema Amsterdam, 2008)
  15. Hagener, Malte, Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam University Press, 2007)
  16. Hediger, Vinzenz, Patrick Vonderau (eds), Films that Work : Industrial Film and the Productivity of Media (Amsterdam University Press, 2009)
  17. Heide, William van der, Malaysian Cinema, Asian Film: Border Crossings and National Culture (Amsterdam University Press, 2002)
  18. Kester, Bernadette, Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) (Amsterdam University Press, 2002)
  19. Kooijman, Jaap, Patricia Pisters, Wanda Strauven (eds), Mind the Screen: Media Concepts According to Thomas Elsaesser (Amsterdam University Press, 2008)
  20. Kooijman, Jaap, Fabricating the Absolute Fake: America in Contemporary Pop Culture (Amsterdam University Press, 2008)
  21. Lauwaert, Maaike, The Place of Play: Toys and Digital Cultures (Amsterdam University Press, 2009)
  22. Phillips, Alastair, City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939(Amsterdam University Press, 2003)
  23. Pisters, Patricia, Wim Staat, Shooting the Family: Transnational Media and Intercultural Values (Amsterdam University Press, 2005)
  24. Schoots, Hans, Living Dangerously: A Biography of Joris Ivens (Amsterdam University Press, 2000)
  25. Simons, Jan, Playing the Waves: Lars von Trier’s Game Cinema(Amsterdam University Press, 2007)
  26. Steene, Birgitt, Ingmar Bergman: A Reference Guide (Amsterdam University Press, 2005)
  27. Strauven, Wanda, The Cinema of Attractions Reloaded (Amsterdam University Press, 2006)
  28. Thompson, Kristin, Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005)
  29. Törnqvist, Egi, Between Stage and Screen: Ingmar Bergman Directs (Amsterdam University Press, 1996)
  30. Valck, Marijke de, Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam University Press, 2007)
  31. Valck, Marijke de, Malte Hagener (eds), Cinephilia: Movies, Love and Memory (Amsterdam University Press, 2006)
  32. Verhoeff, Nann, The West in Early Cinema: After the Beginning (Amsterdam University Press, 2006 [on the emergence of the  Western]) 
  33. Walker, Michael, Hitchcock’s Motifs (Amsterdam University Press, 2005)
  34. Zanger, Anat, Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press, 2006)
  35. Zielinski, Siegfried, Audiovisions: Cinema and Television as Entr’actes in History (Amsterdam University Press, 1999)
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