Memory Screens: New Issue of IMAGE AND NARRATIVE

Frame grab from 1975 (Shaun Wilson, version 1 (2005), DV as single channel DVD, colour, sound, 5mins). Visit Shaun Wilson‘s website here and read his article about ‘home movies’ here

The concept of memory screens is an overarching term exploring the relationship between forms of media, viewers, practitioners and memory. The notion of memory screens alludes to the ways in which memories become remembered, layered, forgotten and transformed. The range of articles in this volume reflects the relationship between memory and history, both public and personal. [‘Thematic Cluster: Introduction’ by Teresa Forde]

Film Studies For Free continues to be impressed by the excellence of the online journal Image and Narrative which has recently published a special issue entitled Memory Screens.

FSFF particularly appreciated film and video artist Shaun Wilson’s essay on the art of vintage home movies, Jenny Chamarette’s study of the dynamics of the ‘spectre’ or ‘spectral body’ of the auteurist figure of Agnès Varda, Peter Kravanja’s exploration of narrative contingencies in Rohmer and Akerman and Teresa Forde and Erin Bell‘s discussions of memory and British television. But this is a very high quality issue throughout and, as always at I and N, particularly characterised by the thoughtful integration of close analysis and film and moving image theory.

Image and Narrative, Vol 12, No 2 (2011): Memory Screens

Table of Contents

  • ‘Thematic Cluster: Introduction’ by Teresa Forde ABSTRACT PDF
  • ‘Remixing Memory through Home Movies’ by Shaun Wilson ABSTRACT PDF
  • ‘Video Installation, Memory and Storytelling: the viewer as narrator’ by Diane Charleson ABSTRACT PDF
  • ‘Spectral bodies, temporalised spaces: Agnès Varda’s motile gestures of mourning and memorial’ by Jenny Chamarette ABSTRACT PDF
  • ‘Television and memory: history programming and contemporary identities’ by Erin Bell ABSTRACTPDF
  • ‘Television Dramas as Memory Screens’ by Teresa Forde ABSTRACT PDF
  • ‘The Lives of Others: re-remembering the German Democratic Republic’  by Margaret Montgomerie and Anne- Kathrin Reck ABSTRACT PDF
  • ‘Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories’ by Nathan Hunt ABSTRACT PDF

Various Articles

  • ‘Cinema, Contingencies, Metaphysics’ by Peter Kravanja ABSTRACT PDF

Review Articles

  • Hillary Chute’s Ambivalent Idiom of Witness’ by Charlotte Pylyser  ABSTRACT PDF
  • ‘Naissances de la bande dessinée de William Hogarth à Winsor McCay’ by Pascal Lefèvre ABSTRACT PDF

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s