Latest five volumes of REFRACTORY: A Journal of Entertainment Media

Frame grab from Spider (David Cronenberg, 2002). Read Samatha Lindop’s 2011 article on this film here. For another interesting, psychiatrically-informed account of Cronenberg’s film, see here

Thanks to Adrian Martin (whose video version of his Ritwik Ghatak talk is now online, by the way), Film Studies For Free heard about the latest issue of the online Australian journal Refractory: A Journal of Entertainment Media. And thanks to that, FSFF realised it hadn’t really mentioned an issue of Refractory since Volume 14, 2009 in its entry on “Split Screens”. So, below are direct links to all of the contents of this great journal since that issue. And FSFF promises not to be quite so pommily slow next time this journal publishes one of its characteristically excellent collections of film and media studies…

Refractory, Volume 19, 2011

  1. Blockbusters for the YouTube Generation: A new product of convergence culture – Kristy Hess and Lisa Waller
  2. ‘Out wiv the old ay plumma?’ The Uncanny Marginalized Wastelands of Memory and Matter in David Cronenberg’s Spider – Samantha Lindop
  3. A Moving Image Experience: Il Cinema Ritrovato, Bologna, June-July, 2010 – Wendy Haslem
  4. “A series of emotional remembrances”: Echoes of Bernard Herrmann -Daniel Golding
  5. Don Draper On The Couch: Mad Men and the Stranger to Paradise – Mark Nicholls

Refractory, Volume 18, 2011

  1. Editorial: Transitions in Popular Culture – Matthew Sini and Angie Knaggs  
  2. “Never my soul”: Adaptations, Re-makes and Re-imaginings of Yeşilçam Cinema – Can Yalcinkaya  
  3. Looking Past Seeing: Imaginative Space and Empathetic Engagement in The Treasure of the Sierra Madre and There Will Be Blood – Elliott Logan
  4. Struggling to find their place: Indigenous youth, identity, and storytelling in Beneath Clouds and Samson and Delilah – Samantha Fordham
  5. Transgeneric Tendencies in New Queer Cinema – Matthew Sini
  6. Before Priscilla: Male-to-Female Transgender in Australian Cinema until the 1990s – Joanna McIntyre
  7. From Night and Day to De-Lovely: Cinematic Representations of Cole Porter – Penny Spirou
  8. (Em)Placing Prison Break: Heterotopic Televisual Space and Place – Angie Knaggs
  9. “Think Smart”: multiple casting, critical engagement and the contemporary film spectator – Nicole Choolun

Refractory, Volume 17, 2010

  1. From Cult Texts to Authored Languages: Fan Discourse and the Performances of Authorship – Karolina Agata Kazimierczak
  2. The Pinball Problem – Daniel Reynolds
  3. The Invisible Medium: Comics Studies in Australia – Kevin Patrick
  4. Acculturation of the ‘Pure’ Economy: Sci Fi, IT and the National Lampoon – Rock Chugg
  5. Subversive Frames: Vermeer And Lucio Fulci’s SETTE NOTE IN NERO – Alexandra Heller-Nicholas
  6. Ringu/ The Ring: Tracing the Analog Spirit in a Digital Era – Michael Fisch
  7. Keaton and the Lion: A Critical Re-evaluation of The Cameraman, Free and Easy and Speak Easily – Anna Gardner
  8. Rosy-Fingered Dawn: The Natural Sublime in the work of Terrence Malick – Dimitrios Latsis

Refractory, Volume 16, 2009

  1. Editorial ‘All Your Base Are Belong to Us’: Videogames and Play in the Information Age : Tom Apperley and Justin Clemens
  2. A Critique of Play – Sean Cubitt
  3. ‘The code which governs war and play’: Computer games, sport and modern combat – Jeff Sparrow
  4. Being Played: Games Culture and Asian American Dis/identifications – Dean Chan
  5. “I’m OK”: How young people articulate ‘violence’ in videogames – Gareth Schott
  6. How to Do Things With Images – Darshana Jayemanne
  7. Myths of Neoconservatism and Privatization in World of Warcraft – Kyle Kontour
  8. Babelswarm -Justin Clemens, Christopher Dodds and Adam Nash

Refractory, Volume 15, 2009

Double Issue: General Issue and Television Issue, Editors: Angela Ndalianis and Lucian Chaffey

  1. Reality is in the performance’: Issues of Digital Technology, Simulation and Artificial Acting in S1mOne – Anna Notaro
  2. The Neo-baroque in Lucha Libre – Kat Austin
  3. Ryan Is Being Beaten: Incest, Fanfiction, and The OC – Jes Battis
  4. Mobile Content Market: an Exploratory Analysis of Problems and Drivers in the U.S. – Giuseppe Bonometti, Raffaello Balocco, Peter Chu, Shiv Prabhu, Rajit Gadh
  5. Televisual control: The resistance of the mockumentary – Wendy Davis
  6. The Classic Hollywood Town at the Dawn of Suburbia – Stephen Rowley
  7. Digital Intervention: Remixes, Mash Ups and Pixel Pirates – Amanda Trevisanut
  8. The Bill 1984 – 2009: Genre, Production, Redefinition – Margaret Rogers
  9. Guiding Stars – Carly Nugent

ALPHAVILLE, a new journal of film and screen media

A poster of Jean-Luc Godard’s Alphaville, une étrange aventure de Lemmy Caution (1965)

Alphaville is the first fully peer-reviewed online film journal in Ireland. It is edited by staff and PhD students in Film Studies at University College Cork. It will be published twice a year, in Summer and Winter, with both open and themed issues that will aim to provoke debate in the most topical issues in film and screen studies. [More about Alphaville]

There is no better title […] for a new journal that proposes to explore the constitutive hybridity of the moving image—analog and digital, commercial and avant-garde, mainstream and independent, popular and elitist—without forgetting how its roots spread in artistic and productive practices that have always been far more composite and multilayered than our critical categories seemed to wish to account for. Calling for the breaking down of disciplinary boundaries, media fields and critical categories, Alphaville: Journal of Film and Screen Media aspires to be a laboratory for new interpretative ideas on the moving image of yesterday, of today and of tomorrow. This inaugural issue, in particular, foregrounds cultural, spatial, productive and aesthetic issues that aim to set in motion our thinking about European cinema within multilayered critical, cultural and geopolitical models, and in light of the complexity of the flow of images that characterises our media landscape. The transnationality, transculturality and transmediality of contemporary European cinemas are undoubtedly going to shape and occupy the research agenda for some time to come.  [Laura Rascaroli, ‘Back to the Future: The European Film Studies Agenda Today’]

There’s a new open access film journal on the block, everybody! Great news in Film Studies For Free‘s humble opinion. Alphaville: Journal of Film and Screen Media has just published its first issue, along with calls for papers for two further issues, to boot.

The first issue is themed, and here’s what its editors say about their choice of organising topic:

Alphaville Issue 1, European Cinema: Transnational, Transcultural, Transmedial stems thematically from an international graduate film studies conference that we co-organised in May 2010 at University College Cork. The conference addressed the permeability of European spaces—geopolitical, sociocultural, productive and aesthetic—within a post-1989 cinematic context. This Issue, however, moves the focus beyond such a specific—albeit multilayered—epoch, encompassing research on both past and contemporary filmmaking, in a bid to showcase the “movement” that was and still is at the heart of European cinema with regard to its interrelationships of geography, culture and form. Inspired by the many seminal works on European cinema that have gone before it, we seek to contribute to the debate a collection that is at once original, in its theoretical and thematic scope, and fresh, in its demonstration of inspiring new work by early career scholars (an attribute that affords us the knowledge that this thriving area in our field will continue to be so).

FSFF thinks it’s a great issue packed with items of interest for film scholars, beginning with Natalia Pinázza‘s brilliant article on Sandra Kogut’s multinational coproduction documentary Un passeport hongrois/The Hungarian Passport (2001).

Tu es très bienvenu Alphaville!

Alphaville: Journal of Film and Screen Media Issue 1 (Summer 2011)



Book Reviews and Festival and Conference Reports:

[Compiled by Jill Moriarty, Deborah Mellamphy and Stefano Odorico, University College Cork]


Issue 2, Winter 2011, Space and Time in Film.

Issue 3, Summer 2012, Sound, Voice, Music.


New JUMP CUT: Hollywood, Reframing, International Cinema, Documentary, Economics and Politics, Porn, Independent/Art/Avant-garde, Horror

Back, nicely bronzed, from its holiday, Film Studies For Free has lots of catching up to do. Let it begin with rushing you, below, the table of contents from the latest, utterly brilliant issue of Jump Cut, No. 53, summer 2011. 

There is SO much great reading here, much of it deeply politically committed, as is characteristic of this important journal. But please don’t miss its marvellous book reviews section, including a look at recent books on film sound by Michael Chanan (thanks for tipping FSFF off about this latest issue, Michael!).
International cinema
Economics and cinema
Politics of media production and distribution
  • Clips, clicks and climax: notes on the relocation and remediation of pornography by Julian Hanich
    Moving-image pornography on the Internet has facilitated and intensified the masturbatory experience due to a double tendency toward privatization and individualization. This becomes particularly obvious when compared to the time when porn films were projected in theaters and consumed with other, mostly anonymous viewers.
  • The excess of porn: response to Julian Hanich by Magnus Ullén
    Considering the relation between pornography and different media is important, yes; but it will be difficult to historicize pornography without first historicizing the mode of reading that gave rise to the concept of porn in the nineteenth century.
  • Back to the Golden Age by Thomas Waugh
    This brief intervention in the current conversation about porn contextualizes the debate within the history of porn studies and Jump Cut’s contribution since the 1970s to a materialist-feminist understanding of sexual representation.
  • Porn: it’s not just about sex anymore by Nina K. Martin
    Porn’s shift to online and mobile device mediums has de-stigmatized the term to the point of banality, linking “porn” to non-sexualized notions of excess.
  • Beyond porno chic by Jose B. Capino
    Internet porn viewing and spectatorship at adult video arcades are more similar than we imagine.
  • Pornography, technology, and masturbation: response to Julian Hanich by Peter Lehman
    Society hysterically fears the dangers of pornography and masturbation while academia represses it, and that aspect of the historically complex interaction between media, technology and porn is lost in the process.
  • Loin du Vietnam (1967), Joris Ivens and Left Bank documentary  by Thomas Waugh
    Far from Vietnam, the collective French film of 1967, produced in solidarity with the Vietnamese people under U.S. attack, is explored in relation to its historical context on three continents, to its coalitional politics and the solidarity genre in general, and to the forum it provided to one contributor, veteran communist filmmaker Joris Ivens.
  • Re-conceiving Misconception: birth as a site of filmic experimentation by Roxanne Samer
    This cultural history of Marjorie Keller’s birth film Misconception (1977) seeks to release the film from past dichotomizing interpretative binds with the hope of opening it up to further future interpretations, re-looking and better appreciation.
  • Books on film sound review by Michael Chanan
    Two books about film sound come at their subject from completely different angles.
    • Mark Kerins, Beyond Dolby (Stereo), Cinema in the Digital Sound Age
    • Andy Birtwistle, Cinesonica: Sounding Film and Video
  • Iranian film opposing regimes of voyeurism review by Jyotika Virdi
    Displaced Allegories: Post-Revolutionary Iranian Cinema by Negar Mottahedeh
    Post-Revolutionary Iranian Cinema is seen as a dynamic alternative to Hollywood’s dominant voyeurism codes, while its narratives are displaced allegories that circumvent the state’s modesty laws.
  • Darwin at the movies by David Andrews and Christine Andrews
    This review of Barbara Creed’s book Darwin’s Screens also examines the use of evolutionary ideas in the field of film studies.
  • Star Trek’s allegorical monomyth review by Elspeth kydd
    David Greven in Gender and Sexuality in Star Trek: Allegories of Desire in the Television Series and Films tackles complex issues within this large and elusive monomyth.
  • Nobody’s baby review by Kirsten Pike
    Babysitter: An American History by Miriam Forman-Brunell
    The book examines girls’ domestic labor in the U.S. and also offers significant insight into the contradictory ways that girls are imagined, debated, and targeted by experts, advisors, and creators of popular culture.
  • Sexual innocence and film: a look at scholarship on virginity review by Susan Ericsson
    Virgin Territory: Representing Sexual Inexperience in Film, edited by Tamar Jeffers McDonald
    How can virginity be depicted in fiction film and television beyond dialogue or narrative moments when the condition of virginity ends?
  • Documentary studies: news from the front line review by Russell Campbell
    Sociopolitical documentary comes under intensive scrutiny in a cluster of new books.
    Documentary: Witness and Self-Revelation by John Ellis
    Recording Reality, Desiring the Real by Elizabeth Cowie
    The Documentary: Politics, Emotion, Culture by Belinda Smaill
    Intelligence Work: The Politics of American Documentary by Jonathan Kahana
    The Right to Play Oneself: Looking Back on Documentary Film by Thomas Waugh
  • Documentary: intelligence and/or emotion? review by Chuck Kleinhans
    The Documentary: Politics, Emotion, Culture by Belinda Smaill
    Intelligence Work: The Politics of American Documentary by Jonathan Kahana
The last word
  • Crisis politics On crises and drastic neoliberal economic makeovers by the editors

>New Issue of Scope! Gollum/LOTR, Egyptian cinema, Fight Club, Snuff-Fiction


As usual, Film Studies For Free is delighted to bring you news of the latest issue of Scope; an Online Journal of Film and TV Studies. The full table of contents is given below. 

In addition to an excellent selection of main articles, there is an astonishing array of book and film reviews and conference reports, the latter sections in particular flagging up the enormous, but highly worthwhile, collective editorial effort that goes into producing a very good quality Open Access journal.

Thank you, Scope!

Scope, Issue 19, February 2011


Book Reviews

Film Reviews

  • Kaminey Reviewer: Sagnik Banerjee

Conference Reports

>Sound on Screen: The Exorcist, Haneke, J-Horror, Warner Bros., animation, Apocalypse Now


Image from Apocalypse Now Redux (Francis Ford Coppola, 2001)

Film Studies For Free only just heard about the Spring 2010 issue of online journal Cinephile (Vol. 6 No. 1). So, while technically FSFF is ‘rushing you the news’, it red-facedly admits that it arrived a little late to this particular, openly accessible, Film Studies party…

Anyhoooo, it’s an excellent issue on ‘Sound on Screen’, available as one large PDF. The contents are given below.

FSFF earnestly promises to keep its e-ears closer to the ground next time an issue is due…

Table of Contents

>New Senses of Cinema: Assayas, Ava Gardner, Haneke, Morin, Rouch, Epstein, African Francophone cinema, Citizen Kane, digital cinema


One Touch of Venus (William A. Seiter, 1948), starring Robert Walker and Ava Gardner. See Edgar Morin‘s essay on Gardner here.
As ever, Film Studies For Free rushes you the latest e-journal news. Today, the latest Senses of Cinema hit the e-newsstands. Without further bloggish ado, read the below links to contents and weep with film-scholarly joy!

Issue 57 Contents

Feature Articles

Great Directors

Festival Reports

  • Celluloid Liberation Front on Venice

Book Reviews

Cteq Annotations

>"European film-makers construct the United States"


Image from Rancho Notorious (Fritz Lang, 1952). Read Hilaria Loyo’s
Star and National Myths in Cold War Allegories: Marlene Dietrich’s Star Persona and the Western in Fritz Lang’s Rancho Notorious (1952)

Thanks to the ever brilliant David Hudson, Film Studies For Free heard about a must-read item on American cinema, a special issue of the European Journal of American Studies entitled European film-makers construct the United States. Links to all the brilliant and openly accessible articles are given below.

European Journal of American Studies (1, 2010) Special issue on Film: European film-makers construct the United States

>New Issue of Scope!


Image from Good Bye, Lenin! ( Wolfgang Becker, 2003). Read Kevin L. Ferguson’s fascinating article on the film: Home Movies: Historical Space and the Mother’s Memory

Good Bye Lenin!, a film commonly read as a political fable of East German nostalgia, is rather for me a successful example of autobiographical narrative that balances maternal loss and a boy’s coming to manhood, framing this transition in and through home movies. As such, it provides a much-needed positive model for cinema’s use of mothers and memory. [Kevin L. Ferguson]

Film Studies For Free has been far too quiet lately, but that’s about to change, people! Let us kick off the burst of activity with FSFF‘s usual update about one of its very favourite openly accessible, film-scholarly journals, SCOPE: And Online Journal of Film and TV Studies, run by those wonderful people at the Department of Culture, Film and Media, University of Nottingham. The full Table of Contents is reproduced below for your convenient reading pleasure.

Scope, Issue 18, 2010


Art Cinema as Institution, Redux: Art Houses, Film Festivals, and Film Studies
David Andrews
The Pinnacle of Popular Taste?: The Importance of Confessions of a Window Cleaner
Sian Barber
Walking the Line: Negotiating Celebrity in the Country Music Biopic
Molly Brost
Home Movies: Historical Space and the Mother’s Memory
Kevin L. Ferguson
An Aristocratic Plod, Erstwhile Commandos and Ladies who Craved Excitement: Hammer Films’ Post-War BBC Crime Series and Serial Adaptations
David Mann


Book Reviews

“May Contain Graphic Material”: Comic Books, Graphic Novels, and Film By M. Keith Booker
Reviewer: David Simmons
Investigating Firefly and Serenity By Rhonda Wilcox and Tanya Cochran (eds.) & Special Issue on Firefly and Serenity
Reviewer: Ronald Helfrich
Black Space: Imagining Race in Science Fiction Film By Adilifu Nama & Mixed Race Hollywood
Reviewer: Augusto Ciuffo de Oliveira
Inherent Vice: Bootleg Histories of Videotape and Copyright By Lucas Hilderbrand & From Betamax to Blockbuster: Video Stores and the Invention of Movies on Video
Reviewer: Daniel Herbert
Stanley Cavell’s American Dream: Shakespeare, Philosophy, and Hollywood Movies By Lawrence F. Rhu
Reviewer: Áine Kelly
Scorsese By Roger Ebert
Reviewer: John Berra
Contemporary British Cinema: From Heritage to Horror By James Leggott & Roman Polanski
Reviewer: Paul Newland
Cities In Transition: The Moving Image and the Modern Metropolis By Andrew Webber and Emma Wilson (eds.) & Cinematic Countrysides (Inside Popular Film)
Reviewer: Peter C. Pugsley
Religion and Film: Cinema and the Re-Creation of the World By S. Brent Plate & Crowd Scenes: Movies and Mass Politics
Reviewer: Douglas C. MacLeod, Jr.
Italian Neorealism: Rebuilding the Cinematic City By Mark Shiel
Reviewer: Tom Whittaker
Independent Cinema (includes DVD of Paul Cronin’s Film as a Subversive Art: Amos Vogel and Cinema 16) By D.K. Holm & Declarations of Independence: American Cinema and the Partiality of Independent Production
Reviewer: Carl Wilson
Seventies British Cinema By Robert Shail (ed.)
Reviewer: Lawrence Webb
Photography and Cinema (Exposures) By David Campany  & Still Moving: Between Cinema and Photography
Reviewer: Tom Slevin
Russians in Hollywood, Hollywood’s Russians: Biography of an Image By Harlow Robinson & How the Soviet Man was Unmade: Cultural Fantasy and Male Subjectivity under Stalin
Reviewer: Brian Faucette
A Companion to Spanish Cinema By Bernard P.E. Bentley & Gender and Spanish Cinema
Reviewer: Abigail Keating
The Moguls and the Dictators: Hollywood and the Coming of World War II By David Welky & The Hidden Art of Hollywood: In Defense of the Studio Era Film
Reviewer: Hannah Durkin
Neil Jordan By Maria Pramaggiore & The Cinema of Neil Jordan: Dark Carnival
Reviewer: Steve Masters
Palestinian Cinema: Landscape, Trauma, and Memory By Nurith Gertz and George Khleifi
Reviewer: Omar Kholeif
The Cinema of Jan Švankmajer: Dark Alchemy (Directors’ Cuts) By Peter Hames & Hungarian Cinema: From Coffee House to Multiplex
Reviewer: Jonathan Owen
Movie Greats: A Critical Study of Classic Cinema By Philip Gillett  & Inventing Film Studies
Reviewer: Steven Rybin


Film Reviews

Generation Kill
Reviewer: Sheamus Sweeney
Diary of the Dead
Reviewer: Sigmund Shen
Rich and Strange & Stage Fright
Reviewer: Judy Beth Morris
Blood: The Last Vampire
Reviewer: Kia-Choong Teo
Reviewer: Alice Mills
Before and After
Reviewer: Clodagh M. Weldon


Conference Reports

Bloodlines: British Horror Past and Present, An International Conference and Film Festival at De Montfort University and Phoenix Square, Leicester, 4 – 5 March 2010
Reporter: Michael Ahmed
IMAGEing Reality, University of Navarra, Spain, 22– 24 October 2009
Reporter: Stefano Odorico
The Moving Image: Reconfiguring Spaces of Loss and Mourning in the 21st Century, Centre for Research in the Arts, Humanities and Social Sciences, University of Cambridge, 26-27 February 2010
Reporter: Jenny Chamarette
NECS 2009 3rd Annual Conference: Locating Media, Lund, Sweden, 25 – 28 June, 2009
Reporter: Andrea Virginás
New Waves: XII International Film and Media Conference, Transylvania, Romania, 22 – 23 October 2009
Reporter: Hajnal Kiraly
Open Graves, Open Minds: Vampires and the Undead in Modern Culture, University of Hertfordshire, Hatfield, Hertfordshire, April 16 – 17 2010
Reporter: Darren Elliott-Smith
Re-Living Disaster, Birbkeck College, London, 29-30 April 2010
Reporter: Ozlem Koksal
SCMS @ 50/LA (Society for Cinema and Media Studies): Archiving the Future, Mobilizing the Past, Los Angleles, California, US, March 10-14, 2010
Reporter: Jason Kelly Roberts
SCMS @ 50/LA (Society for Cinema and Media Studies), Los Angeles, California, March 10-14, 2010
Reporter: Martin L. Johnson
Straight Outta Uttoxeter: Studying Shane Meadows, University of East Anglia, 15 – 16 April 2010
Reporter: Emma Sutton


>Lots more links to film studies journals to celebrate Open Access Week!


Open Access Week, a global event now entering its fourth year, is an opportunity for the academic and research community to continue to learn about the potential benefits of Open Access, to share what they’ve learned with colleagues, and to help inspire wider participation in helping to make Open Access a new norm in scholarship and research.

“Open Access” to information – the free, immediate, online access to the results of scholarly research, and the right to use and re-use those results as you need – has the power to transform the way research and scientific inquiry are conducted. It has direct and widespread implications for academia, medicine, science, industry, and for society as a whole.

Open Access (OA) has the potential to maximize research investments, increase the exposure and use of published research, facilitate the ability to conduct research across available literature, and enhance the overall advancement of scholarship. Research funding agencies, academic institutions, researchers and scientists, teachers, students, and members of the general public are supporting a move towards Open Access in increasing numbers every year. Open Access Week is a key opportunity for all members of the community to take action to keep this momentum moving forward.  

It’s International Open Access Week this week, and while every week is Open Access Week at Film Studies For Free, this website decided to celebrate this special week of events by flagging up the work of an individual who can rightfully claim to be one of the most hard-working supporters of this important cause: Jan Szczepanski.

FSFF was recently contacted by Jan, a librarian from Sweden who has been a collector of freely accessible scholarly e-journals since the end of the 1990’s. He has been responsible for gathering the longest ever lists of links to (multilingual) Open Access scholarly journals titles, mostly in humanities and the social sciences, many of which you can access through the embedded document below (also see here).

FSFF hasn’t yet fully cross-checked Jan’s list with its own list of English-language online Film and Media Studies Journals (permanently accessible from the table of contents in the right-hand sidebar), but will do so as soon as possible in order to add notable items it hasn’t yet come across.

FSFF has set up the document below so that you can immediately scroll down through the Film titles, from page 107. But you can also perform a search for ‘Masskommunikation’ to scroll automatically to page 491 for lots of Media Studies titles.

Thanks so much to Jan for getting in touch and especially for all his hard work in assembling this monumental list.

>Senses of Cinema: The (Post-)’Dreaming’ Issue


Image from Nothing Personal (Urszula Antoniak, 2009) premiered at the Edinburgh International Film Festival 2010 – Read the late John Orr’s festival report.

Were dreams the “virtual worlds” of a previous era? Or at least as Freud understood them to be, as wish fulfilments? In this day and age of  “virtual reality” sites such as Second Life, are not all wish fulfilments at our disposal, made manifest instantly? We continue to dream, of course, but dreaming may be just the archaic [remnant] of a by-gone activity. Old habits die hard. If the post-modern age is post-Freudian, then it also post-dreaming. [Welcome to Issue 56 of our journal (Senses of Cinema)’ by the editors‘]
Hot off the digital press: a new issue of online journal Senses of Cinema, with a distinct focus on dreams and virtuality. Film Studies For Free brings you the tantalising table of contents below.
FSFF also notes that this issue carries the final Senses of Cinema contributions (and here) by the late film scholar John Orr. You can read FSFF‘s tribute to him here.

Issue 56 Contents 


Feature Articles

Feed Me Grapes by Murray Pomerance
Inception by Ian Alan Paul
World on a Wire by the Celluloid Liberation Front
The Illusionist by David Bellos
The Skladanowsky Brothers by Stephen Barber
Watching the World Cup Final by Ehsan Khoshbakht
Cocksucker Blues by Stephen Gaunson
Jake Wilson interviews Leo Berkeley
Mary M. Wiles interviews Gaylene Preston

Arthur and Corinne Cantrill Dossier

Dossier Introduction by Adrian Danks
Jake Wilson on Films by Arthur and Corinne Cantrill
OtherFilm on Cantrills Expanded Cinema
Michael Koller on Waterfall
Freda Freiberg on In This Life’s Body

Steven Ball on Cantrills Filmnotes

Great Directors

John R. Hamilton on Paul Schrader

Festival Reports

Paul Breschuk on Media City
Damien Spiccia on Revelation
David Sanjek on Il Cinema Ritrovato
Ivana Novak on Dokufest
Bill Mousoulis on Karlovy Vary International Film Festival
Darragh O’Donoghue on Killruddery
John Orr on Edinburgh International Film Festival
Jake Wilson on MIFF

Book Reviews

John Orr on Ingmar Bergman’s The Silence and Jerzy Skolimowski
David Melville on Latin American Melodrama and All About Almodóvar
David Sanjek on Richard Lester
Geoff Mayer on Screen The British “B” Film
Gozde Kilic on Conversations with Directors

Cteq Annotations

Tony Williams on Centre Stage
John Fidler on Irma Vep
Carla Marcantonio on In the Mood for Love
Audrey Yue on Song of the Exile
Michael Da Silva on The 10th District Court: Moments of Trials
Adrian Danks on The Student Prince in Old Heidelberg
Wheeler Winston Dixon on One Hour With You
Shari Kizirian on Madame Dubarry
Michael Koller on Kohlhiesels Töchter and Schuhpalast Pinkus
Pasquale Iannone on Broken Lullaby
Louise Sheedy on Beginnings
Louise Sheedy on Arts Vietnam
Darragh O’Donoghue on The Phantom Carriage