New Issue of MEDIASCAPE on Film and Media Space

Image montage from Lou Romano‘s wonderful Cinemosaic website of frame grabs from The Night of the Hunter (Charles Laughton, 1955). Read Bryan Wuest‘s article on space in this film.

The theme of our newest issue is “space,” which has spawned a range of approaches in cinema and media studies. “Space” is a nebulous concept, but the very difficulty in pinning down how a spatial discussion of media should proceed is why Mediascape thought this would be an appropriate discussion to tease out in our non-traditional format.[‘Introduction’ by Bryan Hikari Hartzheim and Katy Ralko, Co-Editors-in-Chief, Mediascape, Winter 2012 Issue]

Film Studies For Free is back from its trip to the Society for Cinema and Media Studies conference in Boston. You can watch videos of some of the conference highlights here. And you can read the live tweets and other reports from the conference from the conference via this page
FSFF had a truly wonderful time meeting old friends and new, including a whole bunch of talented people who are responsible for the new issue of one of its favourite online journals, the UCLA-produced Mediascape. And a great issue it is, too. Links to all contents may be found below.

Memory Screens: New Issue of IMAGE AND NARRATIVE

Frame grab from 1975 (Shaun Wilson, version 1 (2005), DV as single channel DVD, colour, sound, 5mins). Visit Shaun Wilson‘s website here and read his article about ‘home movies’ here

The concept of memory screens is an overarching term exploring the relationship between forms of media, viewers, practitioners and memory. The notion of memory screens alludes to the ways in which memories become remembered, layered, forgotten and transformed. The range of articles in this volume reflects the relationship between memory and history, both public and personal. [‘Thematic Cluster: Introduction’ by Teresa Forde]

Film Studies For Free continues to be impressed by the excellence of the online journal Image and Narrative which has recently published a special issue entitled Memory Screens.

FSFF particularly appreciated film and video artist Shaun Wilson’s essay on the art of vintage home movies, Jenny Chamarette’s study of the dynamics of the ‘spectre’ or ‘spectral body’ of the auteurist figure of Agnès Varda, Peter Kravanja’s exploration of narrative contingencies in Rohmer and Akerman and Teresa Forde and Erin Bell‘s discussions of memory and British television. But this is a very high quality issue throughout and, as always at I and N, particularly characterised by the thoughtful integration of close analysis and film and moving image theory.

Image and Narrative, Vol 12, No 2 (2011): Memory Screens

Table of Contents

  • ‘Thematic Cluster: Introduction’ by Teresa Forde ABSTRACT PDF
  • ‘Remixing Memory through Home Movies’ by Shaun Wilson ABSTRACT PDF
  • ‘Video Installation, Memory and Storytelling: the viewer as narrator’ by Diane Charleson ABSTRACT PDF
  • ‘Spectral bodies, temporalised spaces: Agnès Varda’s motile gestures of mourning and memorial’ by Jenny Chamarette ABSTRACT PDF
  • ‘Television and memory: history programming and contemporary identities’ by Erin Bell ABSTRACTPDF
  • ‘Television Dramas as Memory Screens’ by Teresa Forde ABSTRACT PDF
  • ‘The Lives of Others: re-remembering the German Democratic Republic’  by Margaret Montgomerie and Anne- Kathrin Reck ABSTRACT PDF
  • ‘Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories’ by Nathan Hunt ABSTRACT PDF

Various Articles

  • ‘Cinema, Contingencies, Metaphysics’ by Peter Kravanja ABSTRACT PDF

Review Articles

  • Hillary Chute’s Ambivalent Idiom of Witness’ by Charlotte Pylyser  ABSTRACT PDF
  • ‘Naissances de la bande dessinée de William Hogarth à Winsor McCay’ by Pascal Lefèvre ABSTRACT PDF

>On Spectatorship, Reception Studies, Fandom and Fan Studies: In Media Res and Flow

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Picture from Gadjo Cardenas Sevilla via Flickr, used and altered under Creative Commons License permission.

Film Studies For Free wanted you to know you have to go with the new issue of Flow: A Critical Forum on Television and Media Culture on Fandom and Fan Studies.  Oh, and then you can join the party already started at In Media Res on issues of spectatorship. The great contents of these worthy e-journals are directly linked to below:

In Media Res December 13-17, 2010 (Theme week organized by Ian Peters [Georgia State University])

Flow: A Critical Forumon Television and Media Culture

  • “Revisiting Fandom in Africa” by Olivier J. Tchouaffe The application of fandom and its resources is not the same in all cultures, and African fans might not be recognized as legitimate fans. The point of this piece is to demonstrate that there is a unifying figure of American domination of mass culture.

Lastingly good work on Ephemeral Media


The Psycho Shower Scene: A Reenactment: a YouTube fan video discussed by Barbara Klinger in her talk linked to below.

Today, Film Studies For Free is delighted to pass on details of some great freely accessible film and media studies research resources from the Institute of Film and Television at the University of Nottingham.

This summer, the Institute held two Arts and Humanities Research CouncilBeyond Text‘ workshops on ‘ephemeral media,’ focusing on the growth of the brief or ‘ephemeral’ texts that exist beyond, below and between the films, television programmes, and radio broadcasts more commonly isolated for analysis.

For those interested, the plenary sessions can be found as YouTube recordings and/or sound files on the Beyond Text website (following the photo and video gallery). Also see below.

The Ephemeral Media website has great resources links, too, so do please explore those.

1. The Promotional Surround: logos, promos, idents, trailers (Click here for the Abstracts)

2. Internet Attractions: online video and user-generated ephemera (Click here for the Abstracts)

Race and Ethnicity in Fandom – Transformative Works and Cultures’ Call For Papers


FSFF Nyota Uhura, (Nyota meaning ‘Star’ & Uhura meaning ‘Freedom’) originally played by Nichelle Nichols, is a character in Star Trek: The Original Series, Star Trek: The Animated Series, the first six Star Trek films, and the 2009 film Star Trek.


Film Studies For Free likes to circulate calls for papers for online, Open Access, film and media studies related journals. So, here’s a very worthwhile CFP for the very wonderful e-journal
Transformative Works and Cultures. All relevant details are given below.

By the way, while putting together this post, FSFF came across another great, related, website: Fandom Research – very much worth exploring.

Race and Ethnicity in Fandom

Transformative Works and Cultures, an online-only, peer-reviewed journal focusing on media and fan studies, broadly conceived, invites contributions for a special issue on race and ethnicity to be published in summer 2011. Academic scholarship on fan cultures and fan productions over the past few decades has focused primarily on gender as the sole category of analysis. There has been little published scholarship on fan cultures and productions that incorporates critical race theory or draws on the rich array of methodologies that have been developed during the past century in both activist and academic communities in order to incorporate analysis of the social constructions of race and ethnicities in fandoms.

In contrast, fan activism and fan scholarship (at cons, workshops, and on the Internet) has produced a growing body of work (personal narratives, essays, carnivals, and in recent months, a press) focusing on not only analyzing but also confronting hierarchies of race and ethnicity and their relationship to gender, sexuality, class, and disability. Submissions by academics, acafans, fan scholars, and fans are encouraged. In all categories, people of color are especially encouraged to submit.

The deadline for completed submissions is October 1, 2010.

The editors would like to encourage pre-proposal abstracts and drafts for early feedback by March 1, 2010.

Topics might include but are not limited to:

Online activism and the circulation of critical race theory and women of color feminisms in fan communities, in particular the relationship between fan online discourse and other online activist communities.

Critical analysis of the instantiation and critique of racial hierarchies in fan communities and the surrounding cultural productions.

Racist and antiracist issues in commercial transformative works (comics, film, mashups, remixes, machinima, etc.), especially recuperative race readings (e.g., Randall’s The Wind Done Gone, Rhys’s Wide Sargasso Sea).

Race concerns in source texts (characters of color and their fannish reception, fandoms for work by authors of color, writing fannish original characters, etc.) and fannish responses (such as the Carl Brandon Society, Verb Noire, and other panfannish and professional projects).

Intersection of race and ethnicity with gender, sexuality, class, and ability in fannish contexts in fan works and fan communities (pre-Internet, Internet, conventions, vids, fan fiction, artwork, etc.).

Complete information available in PDF form here:

US letter paper:
http://journal.transformativeworks.org/docs/twc-race-cfp-2009-04-30-us.p
df

A4 paper:
http://journal.transformativeworks.org/docs/twc-race-cfp-2009-04-30-a4.p
df

The announcement on TWC’s site is here:

http://journal.transformativeworks.org/index.php/twc/announcement/view/9