A new MOVIE: Fritz Lang, Robin Wood, Vincente Minnelli, Susan Hayward and More

Image from The Testament of Dr Mabuse (Fritz Lang, 1933). Read Michael Walker’s article on this film here.

A great way to start the week, Film Studies For Free thinks. The second issue of the new Movie: A Journal of Film Criticism has just been posted online, with a wonderful looking Lang dossier, a fine tribute to the late Robin Wood, which takes the form of seven of his rarest pieces from the 1960s, 70s and 80s. And there’s more besides on Susan Hayward and Vincente Minnelli. Direct links to all items are given below.

Now, to read it!

Issue 2

>MOVIE: A Journal of Film Criticism

>

MOVIE: A Journal of Film Criticism is a refereed academic publication whose aim is to create a forum for the range of analysis, debate and discussion that only a journal devoted to a detailed film criticism can adequately provide. We are committed to publishing rigorous but accessible critical writing, at a variety of lengths, that is responsive to the detailed texture and artistry of film and television, old and new. We also welcome articles that illuminate concepts, analytical methods and questions in film aesthetics that are of significance to film criticism. The journal is published on a bi-annual basis.

Film Studies For Free is jumping for joy!  MOVIE, the legendary film magazine (1962-2000) published and designed by the late, and much lamented, Ian Cameron (1937-2010) and source of some of the most brilliant and influential writing on film ever, has inspired the beautiful birth of Movie: A Journal of Film Criticism, an online and openly accessible scholarly periodical, with a website hosted by the University of Warwick

Many of the same people central to MOVIE’s earlier incarnation are involved this time around (Victor Perkins, Douglas Pye, Jim Hillier, Charles Barr, Deborah Thomas, Ed Gallafent, Michael Walker) together with a whole host of some of the best and brightest younger film writers (Andrew Klevan, James Macdowell, John Gibbs, Kathrina Glitre). 

FSFF hasn’t read it yet, but wanted to rush you the news. So, as usual, the table of contents (with direct links to PDF files) is pasted in below. 

Wow, wow, wow…

Issue 1, 2010

This issue edited by Edward Gallafent and John Gibbs, with grateful acknowledgement of the contributions of Lucy Fife Donaldson and James MacDowell.

Crossing the Wild River: R.I.P. Robin Wood (1931-2009)

Last updated on January 23, 2010

‘If I were asked to choose a film that would justify the existence of Hollywood, I think it would be Rio Bravo.’ Robin Wood

Film Studies For Free briefly emerges from an enforced absence due to illness (back properly soon, it hopes), to mark the sad passing, on December 18, of Robin Wood, one of the true giants of the difficult endeavour of film criticism and also of the discipline of film studies.

FSFF‘s own special-favourite Wood works are the talk on ‘Responsibilities of a Gay Film Critic’, his books on Hitchcock (especially the Vertigo chapter), the book he co-authored with Michael Walker on Claude Chabrol’s films, his incredibly enlightening study of Hawk’s Rio Bravo and the other BFI book on The Wings of a Dove. Each of these was paradigm-shifting in their own ways, as was much of Wood’s other writing on cinema.

As online tributes to this major film writer appear in the next days they will be added to the list of online and freely accessible works by or about Wood given below.

May this hugely prolific, influential, and talented writer, film-thinker, and teacher rest in peace.

Posthumous online tributes to Robin Wood:

Online works by or about Robin Wood: